Why or how Jennifer Egan landed in my TBR pile is as mysterious as her novel. The Keep was an unexpected delight and is one of the books I’ve read in 2015 that is poking at my writing life.
Like most people, I read for entertainment: to experience the thrill of a life greater than mine, but the further I’ve progressed on my journey as a writer the more what I read informs the writer in me. This year in particular has taught me an enormous amount about character intentions, voice, brevity and the emotional well, but The Keep has nudged me to consideration another dimension in storytelling. Jennifer Egan’s story sweetly coaxed me onto the tightrope where I suspended my disbelief then cut the rope and allowed me to fall further into another realm of possibility.
Two cousins, irreversibly damaged by a childhood prank, reunite twenty years later to renovate a medieval castle in Eastern Europe. In an environment of extreme paranoia, cut off from the outside world, the men reenact the signal event of their youth, with even more catastrophic results. And as the full horror of their predicament unfolds, a prisoner, in jail for an unnamed crime, recounts an unforgettable story that seamlessly brings the crimes of the past and present into piercing relation. (Back Cover)
When the novel opens we are in the presence of the castle and rooted in Danny’s point of view. Danny is a character of high sensitivity and awareness.
Danny always paid attention to smells because they told the truth even when people were lying.
Danny’s life is a mess, which is why he’s accepted his cousin Howard’s invitation. We don’t necessarily approve of Danny but we empathize with his desire for change based on the memories he shares with us. Then wham we’re introduced to a new narrator:
But that wasn’t Danny’s line, that was Howie’s. He was heading into memory number two, I might as well tell you that straight up, because how I’m supposed to get him in and out of all these memories in a smooth way so nobody notices all the coming and going I don’t know.
And bam, we’re back into Danny’s POV. I thought perhaps I missed something and went back to the beginning, reading extra slowly to see if I had been careless in my comprehension. Nope. A second or two of dismay enveloped me then delight carried me forward. Egan was asking me to read outside the box and I could find no reason not to oblige. In fact, I was hooked, and my intrigue increased when Howard was officially introduced and he informs us of his vision for the castle he plans to renovate—a hotel where people will be able to reconnect with themselves.
What’s missing? What do they need? What’s the next step? And then I got it: imagination. We lost the ability to make things up. We’ve farmed out the job to the entertainment industry, and we sit around and drool on ourselves while they do it for us.
Like Danny I’m skeptical of his cousin’s idea and fearful of where this is all going to lead. Is Howard setting him up, is this an elaborate plan for payback? The reader in me is thrilled by how my level of investment is growing. What excites me more is the sense that I’m being challenged as a writer. I don’t believe Egan ever intended this to happen, but from this moment on my writer-self was as much invested in her storytelling as my reader-self—watching in awe as her characters crashed through boundaries.
The second POV character, the prisoner in the tale, is firmly in place and I am as fascinated by his story as Danny’s. He’s writing Danny’s story, and on the surface there is nothing out of the ordinary about this. The surprise for me is how real Danny is to me at this point. I have the keen sense the stories are happening simultaneously, in parallel worlds and the prisoner is not so much making his story up as reporting what he sees.
Parallel storylines are nothing new in literature, but what sets Egan’s structure apart from other novels is the way in which The Keep’s storylines are bound together. A Twilight Zone atmosphere permeates the descriptions and makes the reader wonder if what the characters are experiencing is reality or a figment of their imagination.
The feel of her hand made him shudder: twigs and wire floating around in the softest pouch of skin he’d ever touched—like a rabbit’s ear or a rabbit’s belly or some even softer rabbit place […] Her way of moving was jerky, impatient like she was shaking off a person she was sick of.
The Keep is an extraordinary tale, which challenges the reader to expand their sense of believability, a mystery unfolding with layers of questions that hold the reader’s attention until the final twist, where a third narrator surfaces to bring this spellbinding story to a close.